A delicate exercise of style !
Showing posts with label John Peri. Show all posts
Showing posts with label John Peri. Show all posts
October 4, 2016
July 18, 2015
John Peri talks about his models
" Colour is a conveyor of mood. The nostalgia expressed by this model in her demeanour is possibly accentuated by the colour. Since I know my models which of course others don't, I read things into my images which they cannot do, but these subliminal messages may help to give clues to the answers." John Peri
"Hotel room"
"Kate returns""Modern art images", "clever compositions", and gorgeous expressive models, John Peri deserves all these comments.
Living in France, John Peri figures beyond the most famous ones. Cake on the cherry, he never forgets to talk about his models, asking for the greatest respect. He's so right.
"Lady with the blues..."
"My neighbour on the second floor"John Peri by himself :
"Any photographer who says he's not a voyeur is either stupid or a liar" Helmut Newton, 1995.
I don't think he meant this in the pejorative sense, but the ability to see and observe. What I photograph essentially is the "girl next door". I try to present the models as they are in private or how they imagine that they would be, when encouraged momentarily to play a more glamorous role. In both cases, they are showing a part of their personality that is usually not on display. It is a moment of self-revelation and discovery, and the models are sometimes surprised to have brought to the surface a side of themselves that is often largely overwhelmed by the constraints of everyday life.
"Those little moments"The nudity that appears in some of these pages is superfluous. It is a means to an end and of no significance per se. There will be some that consider it gratuitous, but one cannot always accommodate to the lowest common denominator. Hopefully, a greater number will identify with the wish of these young women to capture a passing moment in their lives, before moving on again to the unending obligations that largely dominate our existence.
"For Anca..."
People are sometimes curious about the equipment used for these photos. I have a couple of NIKONS, one digital and one using film, each with a flash attached to the camera. In my view, this allows for greater mobility than with the techniques used by those that set up their pictures more carefully, and whose work I nevertheless follow with great admiration.
The models are all friends and those that they present to me, which become friends in turn. From time to time, I also ask a young lady that I meet in public to pose for me. Occasionally, they accept.
"Nathalie"
When making your comments, please take into consideration that the majority of my models follow these pages closely and do not like to have personal remarks addressed to their persons or their anatomy.
They grace us by allowing us to look at their photos. I think that we owe it to them in return to show some respect for their generosity. As fellow photographers, I thank you for understanding this, John."
November 16, 2013
John Peri's interview
"I really consider myself a backstage snapshot photographer. I like to take things as they occur." John Peri
"Gaia"
John, could you tell us how did your passion begin ?
As a child, I used to take my father’s camera and shoot street scenes. I was sometimes able to capture shots of children playing which an adult would have had more difficulty in doing. Some of these were my first pictures published at around age 16.
Ha, I was particularly pleased with a photo that I sold to the Sunday Times. My father with whom I share the same name and forename was horrified at the idea that his name may appear under the photo!
"Sharing the housework"
So young... And how did you learn photography ?
I am a scientist and researcher by training (Medicine and Science faculties) and have no official schooling in photography.
In fact, I still only know the basics and have never been to a studio.
I did however belong to a photo club in university days and learned to do my own developing and enlargements.
Yousuf Karsh, Man Ray and Helmut Newton. I spent years searching for a cello player to photograph her nude with her instrument like Man Ray did ! I finally found her last year and took some shots while she was playing nude indoors. Our next project is to do it again in the street !
"A pause during rehearsal"Sincerely, how long could you be far from your camera ?
Other than during vacation time, photography until recently was only an occasional weekend activity. So I have gone through extended periods of time without the camera, sometimes months at a time.
" Big City"
"Where are you my love ?"
"Midsummer night blues"Yes, definitely. I like to photograph in a natural setting. As Newton rightly said, people don’t live in front of a white sheet of paper.
"Untitled"
I have always thought that to capture your subjects looking normal, they should preferably be photographed in a natural setting with as little artifices as possible.
"Untitled"
"Untitled"
And I love that ! And about your lights ?
I use available light mixed with flash light attached to the camera. Sounds primitive, it is so but it works quite well occasionally.
Some words about your models ?
Less than five per cent of the models in my portfolio have anything to do with the modelling world.
I mostly photograph people that I meet in every day life and those that they introduce to me.
I particularly like a model that does not suffer from the prejudice of experience. They are also less demanding, more tolerant and less critical of my amateurish approach.
"Last minute touches"
"Last preparations"I really consider myself a backstage snapshot photographer. I like to take things as they occur.
Ideally, my models would not know that I am there and I would just follow them around with the camera. Surprisingly often, they get used to my presence and I end up in large part doing that.
I prefer Chaos definitely in comparison with order ! That being said, anyone that has studied even basic science knows that there is no such thing as disorder. Even the most random of events respond to some level of predictability.
"Another backstage shot"
"Just her"
Do you make many corrections ? Are you a perfectionist photographer ?Sure, I make some basic adjustments occasionally ; but I get quickly bored with an image that is over with and I move on to the next one.
I understand. Have you a special project you're dreaming about ?
Countless projects, but they involve more individual people than situations to place them in. That being said, I do like to vary the location whenever possible, otherwise work tends to look the same.
Maybe a next exhibition ?
Well, I do have a friend that is very well introduced in the art world on both sides of the Atlantic and who has suggested helping me with exhibition. But I am admittedly very lazy.
"Reclining nude"I wish you to find the energy ! By the way, you have published two books. Is there a new one to come ?
Actually, yes, I do have a couple of books published by Blurb.com.
The first, "An apartment in New York", of these is the result of a month spent in an apartment in New York, during which I photographed several young ladies that passed through, they were eight in total I believe !
The second, "Conversation Pieces", is devoted entirely to my friend Gaia, several photos of which appear in this article, including the first two and the last two. Elsewhere among the photos selected by your staff is another model and friend "N" whom I plan to make a book for soon.
I have also contributed to a number of teaching books on photography, ranging from portraits to glamour and nude.
Finally, I have published several works in various reputed photographic magazines. I was admittedly especially pleased by one apparition among others in PHOTO which was in consequence to a competition entitled "charm" that the magazine organized in honour of Helmut Newton. He was a member of the jury which adds a little spice to the event.
"TheTriangle of Love"
"Forever"
Congratulations ! And what for your next future ?
To remain faithful to my style. I do not believe in change just for the sake of change. Too many people do that and forget what they are good at and set out to do in the first place.
A message to send ?
Sure, remember that there are no rules in photography ! If so, who wrote them ?
Some people will go on ad nauseum about straight walls and horizons, missing feet, ears and all the rest. None of these things have much impact on the success of a picture. A photo is either good or it isn’t and that is the only thing that matters.
"No rules" is the best rule. Thank you dear John ! For your time and all the beauty you give us !
"The shower 6.00 PM"April 9, 2011
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