Nathan Strausse's Interview

Nathan Strausse also at deviantART

Nathan Strausse, we did a first interview, too short, now I need to know more about you. So, tell me how did your passion begin ?

I've always been interested in photography, even at a young age. I was given a point and shoot camera at 10 years old and took pictures of our family vacations. Even had a photo album for them. In high school I took photography classes and everything about it just made sense to me. I shot for the newspaper and the yearbook, but most of my work was with shooting my friends and a lot of landscapes & architectural/design. I really began shooting fetish and erotic when I was working with Andrew Blake. I would help shoot the BTS for his DVD's as well as operating the camera. He played a major key in getting me to go out and shoot my own stuff.


How long could you be far from your camera ?

I usually always have a camera on me at all times. You never know what you are going to see. I've gotten some amazing photographs by just being in the right place, at the right time, with a camera (very important). Plus you never know when a woman is willing to do a shoot. Always be prepared.

"Mya 9/10/2006"

What inspire you ?

I'm inspired by a lot of things. Words, imagery, vistas, mostly anything. It's really about the content. It's really about a connection with something that inspires. A picture that brings deep emotions or a quoted line or story, which makes one ponder. I'm moved by one's passion, the beauty of life, how small the world really is and how small we really are.


Do you feel particularly inspired by a kind of location ?

I would have to say no, not really. Everything is in context. A twilight view of canopied palm trees with a sapphire ocean can be as inspiring as a city street filled with cracked pavement and dilapidated signs. All these are a part of our surroundings and I feel both play a major role. But for the record, I would say that I am a city person more than a wilderness person. I would much rather live in a city than up in the mountains. At least at this point in my life. I feed off all the energy given off by cities and the people.

"Yvonne Yu"

Who are your great photographers ?

I would say that a lot of different photographers and artists I would consider exceptional in their work. Stanley Kubrick to me was a genius. He was a cinematography based Director, who knew how to use the camera. His stories always dealt with sexual undertones and mischief. He was a huge influence on me as a filmmaker and photographer. Of course, Helmut Newton, and another photographer that I was greatly impressed with his book was Vlastimil Kula. There are many more names and people that I am still discovering. These are some that come to mind right now. Oh yeah, David LaChapelle I enjoy, mostly because of his use of color and art direction/styling.

"Justine 4/24/2006"

What is your process of artistic creation ? Chaos or Order ?

My process is a mix of all the aspects that you mention. A lot of times I will have an idea that I am going for. I prepare as much as I can for the look that I am after. Once the model arrives, I mold these ideas to fit the location, model, situation etc. With a lot of the bondage shoots, preparation is vital. Suspensions and other ties can be life threatening and without proper prep, disasters can arise. And you don't want that. Always have a first aid kit and always have medical scissors on hand for this. For more of the complex rigs, I use a rigger, Damon Pierce who is amazing. His rope artistry is one of a kind.
On the other hand, working off the hip and fly by night is also a way I work. having great models who bring depth to the photoshoot is essential.


Your preferences, indoor, outdoor, natural lights, color ?...

Location wise I am pretty much fair game. The content I shoot usually has to have some sort of privacy, so a lot of times I am shooting indoors, just for this factor. But recently have been working with some models who are ok with public nudity and have been doing more of that. I rarely use strobes. I don't like them too much. Hard to mold the light and hate waiting for them to recycle and the annoying beeps and such. If I pull the trigger I want my camera to shoot and my lighting to be there. Coming from a film background I light using motion picture lights, practicals or natural light (which by far the best in my opinion, you can't beat a nice diffused light from a window, like me and Andrew Blake always said, if it's not bright enough, stand closer to the window).

"Jelena Jensen Caged"

Do you find easily your models ? What kind of ambiance do you install to warm the often shy atmospher of the beginnings ?

Finding the right model is very important to me. They can make or break your shoot. Most I meet through models that I've worked with. I try to have some communication for what I am going for before the day of the shoot. Finding out their limits and their interests help greatly with the style of shoot I will do. On the set, I would say that I am very easy going. I like to create an environment for the model, to get into the character and style. Working in the film industry helps greatly with this. I've directed several short films and have been on the set with some of the worlds prolific Directors. Seeing and communicating with the actors is such a key part of any film or photo shoot.

Communication is key. Having a vision and being able to communicate this vision, vital.

"Justine 4/24/2006"

Do you make many corrections on a long period or do you find immediatly the sense of your work ?

I would say that by the time I get into post, I've already decided on the visual style. I've lit and styled it in a certain way. Now I just need to bring this across in the post side. Sometimes though, I have been known to change my mind and take a different approach. Experimentation is key and not being afraid to make mistakes. Because some of our mistakes can tend to be our greatest masterpieces. with this in mind. Never edit on set, never delete pictures on set.


How do you know when the work is finished ?

Interesting question... I'm not sure. I guess, I sit back, take a good look at the picture and analyze it from lighting, style, retouching and say, is there something I can change that would make it better.... If not, then I'm guess I'm done.

"Justine 3/10/2006"

How do you feel when your work leaves you ?

I am my worst critic. When I'm shooting, I'm usually very happy with the way things are going and everything. The first time I look at the set, I usually hate it. I see errors and things that I should have done. I'm always evaluating what I can do next time. Guess it's not a bad thing. Then I edit the pictures down. Here I start to get into the photo set and tend to like them. By the time I'm done, I've gone back around and see all the things I could change. It's usually not until a few months after that I can go back and say "Hey, that aint so bad"


What is your artistic dream ?

My artistic dream is to create my art and make a living off of it.

"Kelle Marie 9/2/2006"

Have you scheduled your next exhibition ?

Right now I am working on getting my work exhibited, mainly in LA and NY. But would be willing to show my work anywhere. I want to incorporate my still world and my motion picture world together, making not only an exhibition, but a journey almost through a erotic world. I am having discussions with many venues, but nothing has been confirmed yet. But when I do, I know it's gonna blow away some minds.


A book to come ?

Lately I've just been accepted by Goliath to be featured in their "My Favorite Model" book, coming out this November. It features my work with Justine Joli (adult only), one of my favorite models of all time. I can shoot her hundreds of times and none of the shoots will look the same. We really feed off each other creatively. She gets what I'm going for and brings it. Looking into my own book in the near future and of course magazine publications.

"Kelle Marie 9/2/2006"

What's for your next future ?

Really just trying to get myself out there. Working on quite a few projects, both motion picture and still. I think this year will have a lot of exciting things for people to take in from Nathan Strausse.

Thank you very much Nathan !

Stefan Beyst's Interview, my first

Stefan Beyst (1945) is a Belgium based retired lecturer in the philosophy of art and modern art history. Many of his often controversial texts on art and modern artists are to be read on his website.

You'll find him at absolutearts, IOnOne.

Stefan Beyst, tell me how did your passion begin ?

" It happened by accident. I have been photographing my whole life, but not with artistic purposes. Some years ago, my wife bought an electronic camera. I discovered the possibilities of the new medium : no need of a costly and time consuming darkroom and the possibility to shoot as many photos as you like without having to develop them, and above all the countless possibilities of manipulation of the image with Photoshop. Add to that that I had a crisis in my personal life. I have been writing my entire life and suddenly felt that it has been in vain. In my twenties, I also wanted to become an artist, but had decided to devote myself to writing. When making my first images with the digital camera, suddenly the artist in me resurfaced again : I simply could not stop making images. After some months, I have finally found a new equilibrium between writing and making images.

What inspire you ?

" I am most inspired by the great masters of painting.

Do you feel attired by a place more than another one ?

" I like beautiful landscapes like those or Firenze and the Provence, and, provided the weather is beautiful, also the place where I live.

"Flight 1"
(series auguries of innocence)

Tell me about your preferences when you shoot ?

" I rather prefer the unnatural light of imaginary worlds.

Are you an obsessive artist, always shooting ?

" There is always some idea in my head or some image that is emerging…

What is your process of artistic creation ? Like it comes or very organized ?

" It depends. On images like 'The wall' I have been working for weeks. Other images, like the series 'Heptatych' have been made in half an hour, without any premeditation. For the moment, I am doing all kinds of experiments for my next image which will be 'composite'.

"The Wall"
(series auguries of innocence)

What kind of ambiance do you install to warm the shy atmosphere of the beginning of a set ?

" Up to now, I have not worked with models, except for my wife and my children. I guess I would find it extremely difficult to get acquainted with them in order to obtain the required expression…

Do you make many corrections on a long period, or do you find immediately the final sense of your work ?

" The majority of my images are practically 'as shot' : the interventions in the digital darkroom are minimal. In a minority of images, the interventions are more decisive.

How do you know when all is finished ?

" It is just a feeling : 'this is good'.

How do you feel when your work leaves you ?

" It is an intense feeling of satisfaction, a sense of happiness even. I soon proceed to some totally different adventure, but now and then, I have a look at my previous images, sometimes with mixed feelings, and then again with the initial feeling of satisfaction.

"Fight 3"
(series auguries of innocence)

What is your artistic dream ?

" My great dream is to make a large composite picture with a lot of figures that would give a view of what is happening in our contemporary world - a more sophisticated version of the pictures in 'Auguries of Innocence'.

What would you want to do if everything was possible ?

" I would like to stop ageing and to become young again…

What for your next exhibition ?

" Up to now, I have been busy with finding a good printer. I have found one and now I a trying to find a gallery.

Have you been published ?

" I have two books published in Dutch. You can read the English version on my website 'The ecstasies of Eros'

Thank you Stefan !

"Hepta 66"
(series a heptatych)

Genital Photography: Can It Ever Be Considered Art?

“Art-porn“, “erotic bodyscapes”, “edgy art nude”. There are so many names for it, but in general it amounts to the same thing: close-ups, usually labial, featuring “arty” strawberries, “sensual“ flowers, “fun” Skittles, or god-forbid, the “edgy” tiny lego-men. Ubiquitous on DeviantArt and usually prompting a disbelieving headshake at something that seems at best porn and at worst extremely uncomfortable to look at.

Except that by chance, I came across some images that broke the mould. While I think that with the exception of those horrendous doctors’ stock pictures, genital photography almost always has to be considered erotic, I wondered if it could ever be seen as artistic too.

It’s a standing joke that you can take any photograph of a naked woman, convert it to black and white and call it art-nude, but there is a bit of truth there; taking the colour out of an image often prevents it from being garish. (Though that could still be achieved with muting the tones or converting the picture to sepia). Keeping an eye on the colour is definitely a good idea- let’s face it, whether we’re porcelain, ebony or any of the many shades in between, our bodies have parts that can look a bit scary and red (and even blue, depending on where your veins are) close up!
Still, black and white is a matter of colour balance, not the kiss of life for a bad picture! In my opinion, to give genital photography a chance at being viewed as artistic, there must be another quality about the image that draws the eye, besides its subject matter.


While searching for images to illustrate this piece with, I have now seen far more photographs of genitals than one person ever needs to see (!) As a nude model, I am unfazed by nakedness, but I still found that being confronted with a large screen-filling technicolour penis before I’ve had a coffee is a bit jarring! Certainly in this woman’s opinion, if it is immediately obvious what the subject matter is, then the brain registers little other than the fact that the photograph is explicit. There are so many textures and lines in the "down below" areas that creating an image based around shape can be achieved in a multitude of ways- it just requires the photographer to use their imagination.

 Something else that I think can work well is juxtaposition (which is a great word that does not get used often enough!) Photographers and artists do it all the time- we’ve all seen the classic “woman’s body photographed from behind next to cello” picture, and I recently saw “woman’s hips next to pear”! Give the viewer another object to compare or contrast with (the first person to suggest a vegetable has to look through my photo research “reject pile”!) as it can not only add interest, but narrative as well.

Traditional artists have painted and drawn the genitals for a long time, and been called artists (look at certain Neolithic sculptures- and more recently, Georgia O’Keeffe’s flower paintings)- but it’s a little easier to convince the public that the thing on the wall in front of them is indeed “art” when it‘s a historical artefact, or a depiction of some petals at first glance! With the medium of photography, it is far more of a challenge… but in my opinion, something that can be achieved providing  the challenge is accepted!


ROSWELL



Image credits:
1) Turhi
2) Jemiro
3) Altering Reality
NB: The "images that broke the mould" are by Ekaterina Zakharova. As I have not received permission in writing to publish her images, I have linked to her profile above instead.

Welcome Britalicus

Bending nude: a contrast lighting study. 
Model: Raphaella

It's been a while since we posted but today it is our pleasure to feature the photography of Britalicus, who hails from Edinburgh, Scotland.

"I was given my first camera at about the age of eight and knew instantly then that photography was something special. To be able to capture a moment, a feeling, an emotion, was something that I felt was possible, and so it has remained with me since, but capturing that special and perfect image remains just as elusive today as it did then.

      Bow: a pose to create symmetry. Model: Katy Cee                 

After many years of photographing landscapes, portraits, and events, as very much an amateur photographer, I ventured into artistic nudes in January 2010, my wife, I’m glad to say, being very supportive of the idea. 

Once passed the ‘how do you find a model?’ stage, it was a case of finding an approach to the subject with which I felt comfortable. 

It’s plain there are many different approaches to photographing the nude female form, but for me respect for the beauty and integrity of the model comes very high on the agenda in addition to the creation of an artistic image.

Dance: a shot from a dance shoot using fabrics to create shapes in contrast to the models.
Models: Katy Cee, and Kayleigh Lush

EdinburghCastle: the well known landmark of Edinburgh Castle and a cloudy sky used as a backdrop to this rooftop shot. 
Model: Katy Cee

Modern dance and classical ballet have been a strong influence on my shoots. 

I am fascinated with the shapes and forms that can be created in this art form, all too fleetingly, especially when emphasised by contrasting stage lighting. It will continue to be an underlying theme of my work, and has also influenced the choice of models with whom I have worked, many of them having formal dance training and experience. It is also probably why I have a preference for monochrome, this giving emphasis to the captured shapes and forms, focusing the eye on line, light, and shadow, and coming from the age of Tri-X film a reason why I like contrasty shots. 

I treat external location work with caution as I think shooting outside risks being clichéd. However, a location with a strong photographic identity in its own right can add significantly to an image provided that model and location are integrated as one in the composition.

Horse and nude: an early morning shoot on Camber Sands, Kent, using the wide open space to contrast with model and horse. The underlying desire was to create a level of romanticism. 
Model: Kayleigh Lush

Model: Iveta Niklova

Model: Iveta Niklova

Model: Kayleigh Lush

Nearly two years on from my first shoot, a solo exhibition and a magazine spread and publications behind me, together with a website that regularly attracts visitors from around the world, I do not see my desire diminishing to try new concepts as well as developing on existing. In doing so I can, hopefully, get somewhere closer to capturing those elusive moments, those fleeting shadows, that I perceived all those years ago in the days of my youth!"

Kayleigh: posed to create a symmetry. 
Model: Kayleigh Lush

Thank you Britalicus! We wish you well in your future work.  Anyone interested in viewing his latest work please visit his website

                                                                                              

Raphaella: a pose to show the model’s flexibility.
Model: Raphaella

Thonet Rocking Chair: a pose to reflect the shapes in the chair. Shot with natural light.
Model: Raphaella

Gavin Bell's interview

"Quite often I may run inside and grab my camera to shoot something, inspired by how light falls across it (an insect, a flower, my kids, a sunset)." Gavin Bell

" I am inspired by the photographers of old... The nudes of Ruth Bernhard, the surealism of Man Ray, the detail of Ansel Adams, the simplicity (and complexity) of Harry Callahan...

I like the way shadow falls across a face, the body... ...the texture of stone, of bark on a tree...

I like to shoot in Black White film and the grain of a silver gellatin print, the solitude of a darkroom, the control of a studio...

Moreso I like meeting and shooting interesting people to capture interesting images..."

"Statue of Jennie"

"Beauty treatment"

" ... a behind the scenes image... I think she was in shock when she saw herself !" Gavin Bell




Gavin, could you tell us how did your passion for photography begin ?

I started photography as a distraction after my father died. The more I learnt, the greater the hunger. My first art nude was a copy shot of Man Ray’s Le Violin d’Ingres with my wife. Then it became a ‘runaway train’. I was addicted to the whole process, the planning, the directing, the problem solving, post production, all with the aim to produce an image to be proud of.

"Dusk"
Art Model Dollybeck

"This was taken in the middle of a vinyard at sunset. I have tried options of BW and sepia, but lose the sunset effect."

After your father's death... The way for creation is so strange. And did you learn your art somewhere ?

Most of my technical knowledge and influences came from the Centre for Creative Photography here in Adelaide, South Australia. It is a great melting pot of fine art photographers of every genre. I am still learning and self evaluate after a shoot of what I could have done better as well as welcome critique from others. Hopefully I never stop learning and my photography continually evolves and improves.

"The Red Rose"
Art Model Isobella

An artist never stops learning... Is it your only job ?

Photography is a hobby (although my wife would call it an obsession). I am self employed in finance, which allows some flexibility when I shoot.


Talking about obsession, how long could you be far from your camera ?

Not far these days. Quite often I may run inside and grab my camera to shoot something, inspired by how light falls across it (an insect, a flower, my kids, a sunset). With digital photography a lot of spare time is also spent on Photoshop, playing with images.


Who are your favorite photographers ?

My favorite would be Marc Riboud. I never tire of his images, the subject matter, the composition. I like the way Harry Callahan thinks. He was a master of composition, from the complexity to the simplicity. My favorite nude photographers would be Ruth Bernhard, a pioneer in figure studies and more recently Helmut Newton.

"Picture This"
Art Model Anne Duffy






"Things of Shade and Colour..."
Art Model Anne Duffy

You work on a wide range of themes. Could you define your style ? What do you prefer ?

Actually I try hard to work any many themes. My first choice of where to shoot would be the studio, regardless of the genre. In the studio my first choice would be an art nude. However, I love shooting portraits, fashion, etc. The process is the same, as is the model interaction. My first love is to produce an image with artistic merit. I was once referred to as a nude photographer and this didn’t sit well. I prefer to be known as a photographer… someone who can shoot any topic of any style with some degree of proficiency.










 













"Highlights"
Art Model Anne Duffy




 So, your photography isn't mostly nudes ?

Most of what is seen on online portfolios would be heavily weighted towards art nudes. I quite often shoot in both 35mm and Medium Format BW film of a broad range of themes. Rarely does this get scanned, preferring to develop with traditional processes. I think there is something special about film that doesn’t translate to a digital image.


Do you plan every details of your shootings ?

I usually start with an idea. When you shoot against a blank screen, there is little to inspire (other than the model) from the environment, as apposed to an outdoor shoot, where the scenery is part of the creative process. I usually have an idea of a lighting style, whether it is high key or low key. I quite often plan ideas for days ahead of a shoot, but once I am in the studio it becomes more organic. Once I see how the light falls across the model ideas come quite quickly. I encourage the model to contribute to bring out their personality.

"Soaking Up The Sun"
Art Model Dollybeck

Hi all, "I have worked with Gavin and wanted to let you know that he is extremely professional in his work and trustworthy. He is both creative and fun to work with !!" Donna






"The Stable"
Art Model Dollybeck

Some words about your models ?

With art nudes there has to be trust for the model to be comfortable. I have a great deal of respect for all the models I shoot who have placed faith in me to produce an image that shows them in the best light. More importantly, without the model I cannot practice my art, so they are the most valuable resource to me.

"Dream Catcher"
Art Model Peach

"Working with Gavin was a real pleasure and honour. Not only has he got great talent and comes up with interesting ideas, he let me have an input and use my own creativity, which not all photographers allow. I really enjoyed working with him and will certainly go back down to Adelaide before long! PS: Gav also makes the best pasta!" Peach, Sydney

How do you feel at the end of a shooting ? Tired, I presume.

Pretty exhausted – mentally and physically. My friends think it is glamorous, but I am constantly doing calculations of exposure and interpreting, lying on my belly for a particular angle or climbing a chair or ladder. Once I shot up to 2am, then was up for the morning light… whatever it takes to get that image.


Have you some challenges you're dreaming about ?

Always dreaming, always looking for a challenge ! I have a few ideas lined up for some art nudes. The challenge is to always shoot something different, to nail the perfect picture.

"Bella Dona"
Art Model Isobella

When and where will be your next exhibition ?

I have regularly exhibited some of my work at the Centre of Creative Photography. I would like to exhibit my work later this year, but no firm dates.

"Ottobresosso's"
Art Model Jodie

You'll tell us ! Have you published a book ? In magazines ?

I have no publications to date, but I would like to time a book with an exhibition.





 













"The Corset"





Received ! A message to send before we leave ?

Art nudes have been depicted since man could draw on caves. It has always been the fascination of both artists and the viewer throughout history with paintings and the evolution to photography is just an extension of this genre. The only difference is light and shadow is the paint and the camera is the brush.

When some people can’t discern art nudes from porn, this is usually spawned from ignorance. Sites such as yours is great for spreading art nudes to a wider community and it is exciting to be introduced to many fine artists and images that inspire and influence.

I agree, of course !!! And I'm deeply honoured dear Gavin !!! Thanks for playing the game !

"Diamonds"
Art Model Isobella

The portraiture of Nikola Borissov

Some outstanding portraits by Nikola Borissov.

"Svilena II 2"
Actress Svilena Kidess

"When You're Gone I"

" KK XI"

"J snapshot"

"Celeste X"
Actress and Model Celeste Thorson

"Vanya"