Showing posts with label Art Ward. Show all posts
Showing posts with label Art Ward. Show all posts

December 14, 2015

Art Ward and Elena Buga


Before his next article, I am very impatient, some photographs of this talented and kind Photographer.
Read you soon Art !



"Art of Elena"






"Relativity 1"



Elena Buga and Art Ward :
We see 'art nude' as a specialised form of creativity which can only be achieved with vision in celebration of beauty, the spirit inside and the energy of location.  Each piece represents that part of ourselves which reaches into the beyond surrounded by the spirit of place. We sense each place as unique, relating to its presence within and presenting its story in expressions of poise, spirit and form. 
We see art nude as a unique and pure form of art expression.




"Gathering Light"






"Figure Elegance"

August 19, 2013

Art Ward's Interviewed by Elena Buga






by Elena Buga
Writer, Singer, and Art Model


I would like to introduce you to a creative individual who allows his models to express freely, my friend, an artist and visionary, photographer Art Ward. He generously gave an interview to tell us what he does and why he does it.



All photographs are of Art Model Elena Buga and were shot in North Antrim, Northern Ireland.






EB : First, tell me about your roots and where you are based.

AW : My roots lie in North Antrim, which is in Northern Ireland. My formative years were spent here, and those experiences gave me a deep affinity for the natural landscape, something that has stayed with me all my life.




"Fair Light"




I first got into photography when I was 11, and later music and art. The only thing I was good at in school was art, so I left school at 15 with no qualifications. I moved to London and worked for a graphic company that later harnessed my creative abilities.


Two years later I did my first commercial work for Guinness.



EB : As a creative outlet you express yourself through photography. Was this your first option ? Or do you express yourself in other mediums ?




"Bounce"



AW : No, it was my first option. Throughout my life I have expressed myself through various arts. I compose, play and record music, and occasionally do some creative writing.


EB : Who are the artists that influence you most in your work, and why do you find their work so remarkable ?


AW : I cannot narrow it down to a few artists as I appreciate the work of so many. The area of art that attracts me most and which I find most inspiring is sculpture, predominantly classical. It leaves me breathless contemplating how human hands can make such expressive and beautiful visions from bronze and stone.







"Apple of..."

I recently visited the Musee Rodin again to refresh myself with his work. I love the sensuality he achieved in some of his work. I also revisited the Louvre sculptural collection, work that always leaves me in awe...

I would draw a lot of influence from looking at these masters and how they make the body show through cloth - every muscle, shape, and form defined...and how they captured pure expression...in marble... it just blows me away.


I love looking at Art in general, so you will probably see echoes of numerous artists in my visuals.





EB : You mention Rodin. Can you tell me a few pieces of your work that includes his style ?




"Back Arch"




AW : It's more about the feeling that comes from the work of Rodin, in particular, the white stone work. I love the sensuality in "La Cathedrale." I don't think any of my work comes anywhere near that place of expression, but I hope one day it will.

The "Water Child" we produced were inspired by Rodin's "La Danaide."



EB : You see photography as a form of art, as I discovered through our wonderful work. Even though you express in all styles in your commercial photography, your heart is always in creative work. Why ?

AW : Photography has always been foremost because it is the area I have managed to make a living from commercially. Some of this work I would not regard as art at all; it's a form of recording and presenting visuals to a client who, in most cases, has little understanding of the medium as an art form.





"Child of Lir"




Although I apply creative thought to this work, it tends to be more proscriptive and client oriented. If a client wants a green apple on a white plate, then you have a predestined outcome to achieve. This never happens in my personal creative work, as I never know the outcome until it arrives visually through the lens, on my computer, or in a mixed media screen creation. Creative work is really about discovery and expression...it is a place where I am completely free to explore, capture, and create without constraints.


EB : How did you undertake art nude and develop the subject in a long term collaboration ?

AW : To be truthful, a friend of mine who does not mince his words told me, "Art! You should put living things in your landscape. They're beautiful to look at and you really capture the essence of landscape, but they're empty. You should try bringing a touch of humanity to them."












"Mystique"











I knew what he was saying, having reached a point where I was feeling a need inside for something new and challenging, but I did not know what. So that started me thinking. I had drawn and painted nudes and created graphics of the human form in the past - but never really photographed art nude.


I did not even know if I could do it. The extreme perceptions and negative representations of art nude in the world around me was dissuading.


I was already working occasionally with models in portraiture and casual style to hone my skills for commercial needs, and it was through a booking I met you, Elena.

When we connected creatively and became good friends, I felt it was a predestined event in my life. After six months I feel very good about my art nude work and excited because I know it can only get better and better as I gain more experience. It has also reconnected me to my passion for montage, work that takes photography into another area.






"Sentinal"









Loving sculpture, I guess it was a natural progression to the human form. I wanted to see if I could actually do it in any way that worked visually. After a lifetime of landscape and location work, I wanted to experience the fusing of the human form with landscape.








"Clouding Light"





I do have sensitivity in my work, and I love what I am doing creatively. Working with one person long term suits my style of work, and we connect creatively which inspires and motivates us. We also have a vision and perception of art nude in the sense of what we feel is and is not art nude. This reflects strongly in our work together.

My form of shooting is free flowing and a little esoteric. Although I direct in my commercial work, I don't like doing so in my personal work where I prefer to feel what is happening around me and react and capture in that flow, allowing whatever energy or influences that are there in the landscape, studio, or between us to be part of the flow that leads to the image.


EB : What is your perception of art nude ? Why do you think there are so many misguided perceptions about this controversial subject ?







"Triple"











AW : My conception of art nude is the expression of beauty through the human form that encapsulates elegance, grace, sensuality, eroticism, drama, and form. Ultimately it's the aesthetics of the visual and what it conveys to the viewer that matters.


I strive to capture something beyond what I see - what I feel in my heart and spirit.


Why are there so many misguided perceptions about art nude ? I suppose one reason is the exploitation of the female form. The world is deluged with images that degrade rather than celebrate the form and this becomes the first encounter of many with nudity. They have to sift through the chaff to find the pure seeds of art nude. What really bugs is me is a person who actually self proclaims themselves as an erotic and art nude artist with imagery that is totally degrading to the female form.



EB : The grandeur and majesty of the landscape translates into your fine art nude visuals. How do you affiliate these in your work ?

AW : I have always had a deep affinity to the coastal landscape of North Antrim. The power and spirit ingrained here is ancient and the history palatable in the standing stones, dolmens, ruins, and artifacts scattered across this landscape. I gained a degree in geology and geomorphology as a mature student, so when I look on a landscape, I see it from many perspectives - ranging from the pure academic through to the magic, myths, and legends that connect to it along with the natural spirit of place that exists.
 
I find this inspires me and is expressed through my work like unwritten stories.


I also understand the landscape through this knowledge with a deeper sense of wonder for it. Every place has seen and felt romanticism, sensuality, eroticism, drama, and life through the passage of time and humans upon it. Art nude now gives me the opportunity to bring that back to these locations with a new and refreshed perception.









"The Fuldiew Stone"









EB : Artistic nude is about artistic expression at its best. Can you tell me the difference between art nude and artistic nude ?

AW : As a novice in art nude work, I have always been a bit confused by the definition and styles of art nude, so I will probably be corrected on this one. I define art nude as the pure natural body form with grace, elegance, and spirit - much like the classical sculptures but revisited in a contemporary format. It is an emotionally neutral place to view and appreciate the beauty, rhythm, and shape of the human form.

Artistic nude I would see as more theatrical and dramatic, the sensuality pronounced with accessories such as jewelry, cloth, and makeup. It's a wider stage to perform upon and capture.



EB : Erotic art as an erotic concept of the nude genre is misunderstood just as art nude is sometimes misunderstood.





"Glen of Fertility"




AW : I personally think sensuality and eroticism can be expressed in many ways. It does not have to be exposure of the human reproductive areas.... Two fingers touching in space can make a truly sensual and erotic image, depending on the context and creator. Rodin, for example, demonstrated sensuality through "La Cathedrale."

I often get worried about mentioning the word eroticism because of the diverse and sometimes degrading visuals that bear the title, but I love eroticism. It's all in the interpretation. For me, it's a beautiful, pure, sensual feeling. It's not explicit but it's more powerful because it touches the spirit and emotion in a deeper sense whereas explicit is always superficial.

"The Spirit of Dunlois" has sensuality, drama, and eroticism within it, but what is visually shown ?









"Spirit of Dun Lois"









EB : Could you tell us some advice for the beginner in art nude and nude genre work ?

AW : Be clear about your vision of art nude as the conceptions of art nude can really be quite bizarre and varied. I would suggest trying a workshop with an experienced art nude model or photographer and seek out and follow sites like Univers d'Artistes where you get a refined, educated, and open view of art nude.


There are many challenging barriers to overcome on the path, so make sure you work with someone who is experienced in art nude.



January 25, 2010

About Anne Brigman, by Art Ward


written by Art Ward, photographer.







I had never heard of Anne Brigman until May 2009, when Dublin based photographer Willie Dillon made a comment that an image Elena Buga and I had created, reminded him of Anne Brigman (1869-1950).

From that moment on I was determined to find out
who Anne Brigman was ?










Anne Brigman










Art Ward
"Child of Lir"
Art Model and UdA Art Editor Elena Buga














Anne Brigman




This remarkable woman was born in Hawaii in 1869. Her grandparents had arrived as missionaries from England in 1828 and her parents lived there until she was around sixteen when they moved to Los Gatos in California.

Anne Brigman was already an artist and writer before taking up photography in 1901. This choice and pursuit for a woman in the political and social environment of America in 1901 was to say the least revolutionary but Anne Brigman was not an ordinary woman.










Art Ward
"Root of Expression"
Art Model Elena Buga










Anne Brigman
"Soul of the Blasted Pine"





Full of enthusiasm, dreams and immense creativity, she explored the medium and within two years of taking her first image, had established herself as a formidable photographer in what was a predominantly male pursuit, where she gained a reputation for pictorial mastery.



As well as pictorial imagery, Anne Brigman had a deep interest and affinity with the natural landscape and in particular the Sierra Nevada. She also had a burning desire to create figurative nudes both male and female in that landscape. She saw their place with the landscape not separate from it :
" In all of my years of work with the lens I've dreamed of and loved to work with the human figure - to embody it in rocks and trees, to make it part of the elements, not apart from them.
Rare humans, rare in their minds as well as in their slim, fine bodies, have given me of their simple beauty and freedom, that I might weave them into the sagas of these wind swept trees on high peaks."

She was one of the first photographer’s to take the figurative nude as a subject in the landscape and present it in a way where it was part of the landscape in beautifully staged art nude pieces.









Art Ward
"Light of Carnmoon"
Art Model Elena Buga












Art Ward
"Spirit dance"
Art Model Elena Buga




Her work is captivating in its simplicity, vision, depth and spirit. The unique unseen elements that make visuals go beyond the visual is saturating her work.

It is more remarkable that this feminine spirit, was a century ahead of her time, not only did she conceptually create her visuals she would also at times be the subject of them. Her passion and creative energy so evident in the lengths she went to create her work. She drew great inspiration from the landscape and especially the trees, some of which became her friends…




" One day on one of my wanderings I found a juniper - the most wonderful juniper that I've met in my eighteen years of friendship among them… It was a great character like the Man of Gallilee or Moses the Law-giver, or the Lord Buddha, or Abraham Lincoln… Storm and stress well borne made it strong and beautiful. I climbed into it. Here was the perfect place for a figure, here the place for the right arm to rest, and even though my feet were made clumsy by boots, I could see and feel where the feet would fit perfectly into the cleft that went to its base."








Art Ward
"Spirit Run"
Art Model Elena Buga




Although the nude had been taken in the landscape prior to Anne Brigman, what separated her work from the rest and gave it distinction was the unique fact that she saw the figure as nature, her nudes were part of nature, not ‘in’ nature.




It was this fact that establishes her as one of the pioneers of the 'spirit' of art nude in the landscape.









Anne Brigman
"Nude in a burled tree"










Anne Brigman
"The Source"









The nude for Anne Brigman symbolised the creative energy of women, empowering and opposite to the voyueristic presentations of the female form of the time. She said in reference to her work : "my pictures tell of my freedom of soul, of my emancipation from fear.”

She gave a lot back to her community and those who valued her work and shared her vision, young contemporaries like Edward Weston, Dorothea Lange and Imogen Cunningham all recognised her as an influence in their development and indeed joined her on treks into the Sierra Nevada.



Anne Brigman
"The Lone Pine"




To fully appreciate Anne Brigman is to remember that she achieved all this at a time when societies morals relating to a women where archaic.



Her persona, free spirit and her dynamic and challenging ways where a scandal before she even took an image. She wore trousers, defied the correctness of her time, her gender and her society, to create art which she did beautifully. Today her work still carries that intangible quality that her spirit urged her to create. Anne Brigman was an artist and a brilliant photographer who also wrote and painted.

Personally, I am honored that one of my ‘novice’ images of a ‘nude in the landscape’ would remotely remind someone of this remarkable, creative and gifted women and that this remark led me to discover her work.



Madams and Mademoiselles, is it not great to know a female pioneer the ‘spirit’ of art nude as part of the landscape ?

I think it is brilliant !






Art Ward
"Spirit of the Ancient Sentinel"
Art Model Elena Buga



December 28, 2009

A Tribute to the Artist, by Elena Buga





A feature by
UdA Art Editor Elena Buga





It's holiday time again,
a time when the artist looks into the world,
and the world is a masterpiece where he or she,
THE ARTIST,
puts a last touch, the last colours to create a perfect work of art.








Art Ward
"Free Falling"
Art Model Elena Buga

"We did "Free Falling" this autumn in a freezing mountain forest in Ireland... it is from a whole series we haven't had time to even look at." ~EB







The creative world is wide open, and a glimpse of it shines into the work of unknown visionaries, ready to add that last element to compose a final orchestra where nature itself, along with ancient feelings, express themselves in order to present the greatest symphony of all :



The Symphony of The Spirit.




"Jesspond"






But what is an artist ?

Can we manufacture one, or do we just wake up one day and say, "I want to be an artist today"?

Is it just a hobby or a passion of life ?











Christophe Vermare -
"Robe de Lune"







The Artist is a visionary, a leader for generations to come.
He or she creates from inside, the feeling that was there all along. These creations are masterpieces of hard work and
determination based on the artist's own standards to achieve in the strive for perfection.






Darren Phillips -
"Street Light"
Art Model SophStarfish






The Artist's creation awes by the expressivity in capturing the spirit itself and presenting it in any form of art. The style is unique, unseen as it comes from inside.


The path may lead to greatness yet to come, though the artist knows it and feels it, presenting it in the work as the biggest goal.













Lorraine Daley
"Some People Don't Mind Being Backed Into A Corner"
Art Model Melissa










Olga Trusova
-

"Conception of a Masterpiece : Moscow Biennale Architecture 2008"






Capturing the spirit is one of the greatest dilemmas that art has to encounter. The spark could ignite any form, a performing art or a painting that moves, a sculpture that amazes. The Artist had the ability to move the viewer through visions and conceptions, to inspire, and to create a path to follow the path with the feeling of being there so natural.











"Dune"











Magdalena Olek
"Summer Garden"






Art is the only legacy that the artist could leave to those yet to come, a declaration the independence and beauty of the spirit.

Through the most unselfish act, the creator of art shares a vision with the world, as this is the reason for being here in a moment of time.








And after everything is gone in this material world, Art will be the only way to show the Artist was here...









Johannes Barthelmes